Maine College of Art & Design
2026 BFA Exhibition
May 1–15, 2026
Info


Ruby Long



The Space Between Us

There is no singular self, we are formed in fragments, through voices we remember, hands that have held us, rooms we have returned to, and moments that have quietly reshaped us over time. Identity is not authored alone; it is accumulated. It is layered through contact, proximity, repetition, and care.

This body of work begins with that understanding. Clay offers a parallel. It does not exist without influence. It records pressure, movement, and time. It responds to touch, to air, to flame. It is shaped not only by the hand that forms it, but by the environment that surrounds it. In the kiln, no vessel develops independently. Surfaces shift in response to neighboring forms, flame paths, and atmosphere. Each piece becomes evidence of relationship. In the same way, we are marked by one another.

This work exists as both object and event: a dinner created for the individuals who have most profoundly shaped my life. The table is not a stage, but a site of exchange. It is where stories are told, where memory is reinforced, and where connection becomes tangible.
The impact of one person does not end with them. It extends outward, through gestures, through influence, through the ways they shape others who continue shaping still more. Community is not a closed circle; it is a widening field. This work exists within that field. Each vessel, like each relationship, carries more than itself.

Bio

Lee Nadeau is an emerging woodworker and artist based in Winslow, Maine, with a BFA in Woodworking and Furniture Design from Maine College of Art & Design (2025). Her work explores femininity, domesticity, and family through a personal lens, challenging traditional ideas and dichotomies. Influenced by modern sculpture, Nadeau softens the sharp, rigid edges of conventional woodworking, favoring rounded, abstract forms. Her background in furniture informs her interest in the space between sculpture and function. Through her practice, she reimagines wood as a medium for storytelling, emotion, and quiet resistance to rigid expectations.